We would like to present to you the second part of a series of documentation juxtaposing photographs taken from three exhibitions hosted by Taipei Fine Arts Museum in early 2020, namely Moving Ink featuring Tong Yang Tze (董陽孜); The Serenity of Madness / 狂中之静 featuring Apichatpong Weerasethakul, curated by Gridthiya Gaweewong and produced by Independent Curators International (ICI); as well as Island Tales: Taiwan and Australia / 小說: 雙城計劃 curated by Chien Cheng-yi (簡正怡).
The visual documentation is divided into two chapters, and the photographs are not presented in any particular order of importance. For the first chapter of the series, please follow the link.
